The Theme Building at Los Angeles International Airport - photo: Alistair McMillan
Paul R. Williams - Architect
Paul Revere Williams was born in Los Angeles on February 18, 1894 to Lila Wright Williams and Chester Stanley Williams who had recently moved from Memphis with their young son, Chester, Jr. When Paul was two years old his father died, and two years later his mother died. The children were placed in separate foster homes. Paul was fortunate to grow up in the home of a foster mother who devoted herself to his education and to the development of his artistic talent.
At the turn of the 20th century, Los Angeles was a vibrant multi-ethnic environment with a population of only 102,000 of which 3,100 were African American (U.S. Census 1900). During Williams’ youth the California dream attracted people from across the United States, and they mixed together with little prejudice. Williams later reported that he was the only African American child in his elementary school, and at Polytechnic High School he was part of an ethnic mélange. However, in high school he experienced the first hint of adversity when a teacher advised him against pursuing a career in architecture, because he would have difficulty attracting clients from the majority white community and the smaller black community could not provide enough work.
Security Pacific Collection, Los Angeles Public Library.
Williams did not give up. Confident in his strengths, he simultaneously pursued architectural education and professional experience with Los Angeles’ leading design firms while developing social and business networks. Certified as a building contractor in 1915, he was licensed as an architect by the State of California in 1921.
Earning accolades in architectural competitions and the respect and encouragement of his employers, Williams opened his own practice and become the first African American member of the American Institute of Architects (AIA) in 1923.
Southern California’s real estate landscape boomed during the 1920s. Williams’ early practice flourished through his growing skills as a designer of small, affordable houses for new homeowners and larger, historic revival-style homes for more affluent clients in Flintridge, Windsor Square and Hancock Park.
As his reputation grew, his practice expanded to include buildings now considered landmarks: MCA, Saks Fifth Avenue, Palm Springs Tennis Club and Golden State Mutual Life Insurance Building. The private residences he designed for leaders in business and entertainment became legendary: actor Bert Lehr, comedians Lucille Ball and Desi Arnaz, dancer Bill (Bojangles) Robinson, popular entertainer Frank Sinatra and the entrepreneurial Cord and Paley families. Residential design would remain an important part of his practice, but commercial, institutional and public commissions became increasingly significant as did his work beyond Southern California, across the nation and the world.
In the course of his five-decade career, Williams designed thousands of buildings, served on many municipal, state and federal commissions, was active in political and social organizations earning the admiration and respect of his peers. He frequently donated his time and skills to projects he believed furthered the health and welfare of young people, African Americans in Southern California and greater society. In 1957, he was the first African American elected a Fellow of the American Institute of Architects.
Paul R. Williams retired from practice in 1973 and died in 1980 at the age of 85.
Paul R. Williams, portrait, 1963. Photographer: Merge Studios, Herald Examiner Collection, Los Angeles Public Library.
Williams was awarded AIA's 2017 Gold Medal, the highest annual honor recognizing individuals whose work has had a lasting influence on the theory and practice of architecture. For more information see AIA's website.
LAX theme building source
Guardian Angel Catholic Cathedral, Las Vegas, Nevada photo:Carol M. Highsmith
Williams won an architectural competition at age 25, and three years later opened his own office. Known as an outstanding draftsman, he perfected the skill of rendering drawings "upside down." This skill was developed so that his white clients (who might have been uncomfortable sitting next to a black architect) could see the drawings rendered right side up across the table from him.
Struggling to gain attention, he served on the first Los Angeles City Planning Commission in 1920.
From 1921 through 1924, Williams worked for Los Angeles architect John C. Austin, eventually becoming chief draftsman, before establishing his own office.
In 1923, Williams became the first African-American member of the American Institute of Architects (AIA).
In 1939, he won the AIA Award of Merit for his design of the MCA Building in Los Angeles (now headquarters of the Paradigm Talent Agency).
Al Jolson tomb in Hillside Memorial Park source
During World War II, Williams worked for the Navy Department as an architect.
In 1951, Williams won the Omega Psi Phi Fraternity, Inc., Man of the Year award and in 1953 he received the Spingarn Medal from the NAACP for his outstanding contributions as an architect and member of the African-American community.
Lon Chaney High Sierra House designed by Williams - Inyo National Forest - Dave Kirkeby
Williams also received honorary doctorates from Lincoln University of Missouri (doctor of science, 1941), Howard University (doctor of architecture, 1952), and the Tuskegee Institute (doctor of fine arts, 1956).
In 1956, he won an award for service, from Wisdom Magazine, for "contributions to knowledge and distinguished service to mankind."
In 1957, he became the first black member to be inducted into the AIA's College of Fellows. An April 2, 1957 letter from the Executive Secretary of AIA, offered Williams the honor of Fellowship and membership in the College of Fellows "for your notable contribution in Public Service."